![\"LRPS](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/Panel.jpg\")
<\/a>You are allowed to display your pictures in two or three rows. \u00a0I thought that this arrangement was pleasing, and it allowed me to display my mixture of portrait and landscape formats.<\/p>\n
\n
Redhead<\/h2>\n![\"Red](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/01-240x300.jpg\")
<\/a>Red Head<\/figcaption><\/figure>\nIt seemed like a good idea to have a stand-out portrait by itself in the top-centre. \u00a0I’m pleased with the lighting, and especially with the pose, which took some working out.<\/p>\n
\nPitts Special<\/h2>\n![\"Pitts](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/02-300x240.jpg\")
<\/a>Pitts Special<\/figcaption><\/figure>\nI’ve been interested in aviation photography since I became a ‘serious’ photographer in 2012, so initially my panel was full of planes. \u00a0However, for various reasons (mainly balance) I ended up with just one. \u00a0The prop-blur and the ‘smoke’ trails give the picture a sense of movement<\/p>\n
\nCotswolds<\/h2>\n![\"Cotswolds\"](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/03-240x300.jpg\")
<\/a>Cotswolds<\/figcaption><\/figure>\nSome may dismiss this a ‘Chocolate box’ picture – so what? \u00a0I like the composure, and it’s a very pleasant photo – nice colours, good light etc.<\/p>\n
\nChardin<\/h2>\n![\"Chardin](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/04-300x240.jpg\")
<\/a>Chardin Still Life<\/figcaption><\/figure>\nJean-Baptiste-Sim\u00e9on Chardin was a master painter of still-life subjects. \u00a0This is my attempt to reproduce such a painting, \u00a0with lot of care taken to get the composition, lighting and background right – and a little help from software. \u00a0This was one of my reserves at the\u00a0advisory day – and the advice I got was to include it in my panel! \u00a0I think that the colour palette agrees with that of the Redhead above it.<\/p>\n
\nSignpost<\/h2>\n![\"Signpost\"](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/05-240x300.jpg\")
<\/a>Signpost<\/figcaption><\/figure>\nThis is a simple image, but has plenty to involve the viewer.<\/p>\n
\nFlat out<\/h2>\n![\"Racing](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/06-300x240.jpg\")
<\/a>Racing Motorcycle<\/figcaption><\/figure>\nA nice coloured motorcycle, with what I think is good panning. \u00a0This image nicely balance the Pitts special, both moving in to the panel.<\/p>\n
\nMoored boat<\/h2>\n![\"Moored](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/07-300x240.jpg\")
<\/a>Moored Boat<\/figcaption><\/figure>\nYou can’t go wrong with images of wooden boats – either they are characterful wrecks, or colourful and attention-grabbing like this one. \u00a0I got my feet wet getting the shot, but it was worth it!<\/p>\n
\nArt Nude<\/h2>\n![\"Art](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/08-300x240.jpg\")
<\/a>Art Nude<\/figcaption><\/figure>\nI’ve always liked monochrome images – sometimes colour can detract. \u00a0I love the subtle tone in this image. \u00a0Another point of the image was to add a little variety to the panel.<\/p>\n
\nA Superior Motorcycle<\/h2>\n![\"Brough](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/09-300x240.jpg\")
<\/a>Brough Superior<\/figcaption><\/figure>\nThis image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\nA Windy Day<\/h2>\n![\"A](\"https:\/\/testaccount-co-uk.stackstaging.com\/wp-content\/uploads\/2016\/07\/10-300x240.jpg\")
<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>It seemed like a good idea to have a stand-out portrait by itself in the top-centre. \u00a0I’m pleased with the lighting, and especially with the pose, which took some working out.<\/p>\n
\n
Pitts Special<\/h2>\n<\/a>Pitts Special<\/figcaption><\/figure>\nI’ve been interested in aviation photography since I became a ‘serious’ photographer in 2012, so initially my panel was full of planes. \u00a0However, for various reasons (mainly balance) I ended up with just one. \u00a0The prop-blur and the ‘smoke’ trails give the picture a sense of movement<\/p>\n
\nCotswolds<\/h2>\n<\/a>Cotswolds<\/figcaption><\/figure>\nSome may dismiss this a ‘Chocolate box’ picture – so what? \u00a0I like the composure, and it’s a very pleasant photo – nice colours, good light etc.<\/p>\n
\nChardin<\/h2>\n<\/a>Chardin Still Life<\/figcaption><\/figure>\nJean-Baptiste-Sim\u00e9on Chardin was a master painter of still-life subjects. \u00a0This is my attempt to reproduce such a painting, \u00a0with lot of care taken to get the composition, lighting and background right – and a little help from software. \u00a0This was one of my reserves at the\u00a0advisory day – and the advice I got was to include it in my panel! \u00a0I think that the colour palette agrees with that of the Redhead above it.<\/p>\n
\nSignpost<\/h2>\n<\/a>Signpost<\/figcaption><\/figure>\nThis is a simple image, but has plenty to involve the viewer.<\/p>\n
\nFlat out<\/h2>\n<\/a>Racing Motorcycle<\/figcaption><\/figure>\nA nice coloured motorcycle, with what I think is good panning. \u00a0This image nicely balance the Pitts special, both moving in to the panel.<\/p>\n
\nMoored boat<\/h2>\n<\/a>Moored Boat<\/figcaption><\/figure>\nYou can’t go wrong with images of wooden boats – either they are characterful wrecks, or colourful and attention-grabbing like this one. \u00a0I got my feet wet getting the shot, but it was worth it!<\/p>\n
\nArt Nude<\/h2>\n<\/a>Art Nude<\/figcaption><\/figure>\nI’ve always liked monochrome images – sometimes colour can detract. \u00a0I love the subtle tone in this image. \u00a0Another point of the image was to add a little variety to the panel.<\/p>\n
\nA Superior Motorcycle<\/h2>\n<\/a>Brough Superior<\/figcaption><\/figure>\nThis image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\nA Windy Day<\/h2>\n<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>I’ve been interested in aviation photography since I became a ‘serious’ photographer in 2012, so initially my panel was full of planes. \u00a0However, for various reasons (mainly balance) I ended up with just one. \u00a0The prop-blur and the ‘smoke’ trails give the picture a sense of movement<\/p>\n
\n
Cotswolds<\/h2>\n<\/a>Cotswolds<\/figcaption><\/figure>\nSome may dismiss this a ‘Chocolate box’ picture – so what? \u00a0I like the composure, and it’s a very pleasant photo – nice colours, good light etc.<\/p>\n
\nChardin<\/h2>\n<\/a>Chardin Still Life<\/figcaption><\/figure>\nJean-Baptiste-Sim\u00e9on Chardin was a master painter of still-life subjects. \u00a0This is my attempt to reproduce such a painting, \u00a0with lot of care taken to get the composition, lighting and background right – and a little help from software. \u00a0This was one of my reserves at the\u00a0advisory day – and the advice I got was to include it in my panel! \u00a0I think that the colour palette agrees with that of the Redhead above it.<\/p>\n
\nSignpost<\/h2>\n<\/a>Signpost<\/figcaption><\/figure>\nThis is a simple image, but has plenty to involve the viewer.<\/p>\n
\nFlat out<\/h2>\n<\/a>Racing Motorcycle<\/figcaption><\/figure>\nA nice coloured motorcycle, with what I think is good panning. \u00a0This image nicely balance the Pitts special, both moving in to the panel.<\/p>\n
\nMoored boat<\/h2>\n<\/a>Moored Boat<\/figcaption><\/figure>\nYou can’t go wrong with images of wooden boats – either they are characterful wrecks, or colourful and attention-grabbing like this one. \u00a0I got my feet wet getting the shot, but it was worth it!<\/p>\n
\nArt Nude<\/h2>\n<\/a>Art Nude<\/figcaption><\/figure>\nI’ve always liked monochrome images – sometimes colour can detract. \u00a0I love the subtle tone in this image. \u00a0Another point of the image was to add a little variety to the panel.<\/p>\n
\nA Superior Motorcycle<\/h2>\n<\/a>Brough Superior<\/figcaption><\/figure>\nThis image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\nA Windy Day<\/h2>\n<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>Some may dismiss this a ‘Chocolate box’ picture – so what? \u00a0I like the composure, and it’s a very pleasant photo – nice colours, good light etc.<\/p>\n
\n
Chardin<\/h2>\n<\/a>Chardin Still Life<\/figcaption><\/figure>\nJean-Baptiste-Sim\u00e9on Chardin was a master painter of still-life subjects. \u00a0This is my attempt to reproduce such a painting, \u00a0with lot of care taken to get the composition, lighting and background right – and a little help from software. \u00a0This was one of my reserves at the\u00a0advisory day – and the advice I got was to include it in my panel! \u00a0I think that the colour palette agrees with that of the Redhead above it.<\/p>\n
\nSignpost<\/h2>\n<\/a>Signpost<\/figcaption><\/figure>\nThis is a simple image, but has plenty to involve the viewer.<\/p>\n
\nFlat out<\/h2>\n<\/a>Racing Motorcycle<\/figcaption><\/figure>\nA nice coloured motorcycle, with what I think is good panning. \u00a0This image nicely balance the Pitts special, both moving in to the panel.<\/p>\n
\nMoored boat<\/h2>\n<\/a>Moored Boat<\/figcaption><\/figure>\nYou can’t go wrong with images of wooden boats – either they are characterful wrecks, or colourful and attention-grabbing like this one. \u00a0I got my feet wet getting the shot, but it was worth it!<\/p>\n
\nArt Nude<\/h2>\n<\/a>Art Nude<\/figcaption><\/figure>\nI’ve always liked monochrome images – sometimes colour can detract. \u00a0I love the subtle tone in this image. \u00a0Another point of the image was to add a little variety to the panel.<\/p>\n
\nA Superior Motorcycle<\/h2>\n<\/a>Brough Superior<\/figcaption><\/figure>\nThis image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\nA Windy Day<\/h2>\n<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>Jean-Baptiste-Sim\u00e9on Chardin was a master painter of still-life subjects. \u00a0This is my attempt to reproduce such a painting, \u00a0with lot of care taken to get the composition, lighting and background right – and a little help from software. \u00a0This was one of my reserves at the\u00a0advisory day – and the advice I got was to include it in my panel! \u00a0I think that the colour palette agrees with that of the Redhead above it.<\/p>\n
\n
Signpost<\/h2>\n<\/a>Signpost<\/figcaption><\/figure>\nThis is a simple image, but has plenty to involve the viewer.<\/p>\n
\nFlat out<\/h2>\n<\/a>Racing Motorcycle<\/figcaption><\/figure>\nA nice coloured motorcycle, with what I think is good panning. \u00a0This image nicely balance the Pitts special, both moving in to the panel.<\/p>\n
\nMoored boat<\/h2>\n<\/a>Moored Boat<\/figcaption><\/figure>\nYou can’t go wrong with images of wooden boats – either they are characterful wrecks, or colourful and attention-grabbing like this one. \u00a0I got my feet wet getting the shot, but it was worth it!<\/p>\n
\nArt Nude<\/h2>\n<\/a>Art Nude<\/figcaption><\/figure>\nI’ve always liked monochrome images – sometimes colour can detract. \u00a0I love the subtle tone in this image. \u00a0Another point of the image was to add a little variety to the panel.<\/p>\n
\nA Superior Motorcycle<\/h2>\n<\/a>Brough Superior<\/figcaption><\/figure>\nThis image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\nA Windy Day<\/h2>\n<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>This is a simple image, but has plenty to involve the viewer.<\/p>\n
\n
Flat out<\/h2>\n<\/a>Racing Motorcycle<\/figcaption><\/figure>\nA nice coloured motorcycle, with what I think is good panning. \u00a0This image nicely balance the Pitts special, both moving in to the panel.<\/p>\n
\nMoored boat<\/h2>\n<\/a>Moored Boat<\/figcaption><\/figure>\nYou can’t go wrong with images of wooden boats – either they are characterful wrecks, or colourful and attention-grabbing like this one. \u00a0I got my feet wet getting the shot, but it was worth it!<\/p>\n
\nArt Nude<\/h2>\n<\/a>Art Nude<\/figcaption><\/figure>\nI’ve always liked monochrome images – sometimes colour can detract. \u00a0I love the subtle tone in this image. \u00a0Another point of the image was to add a little variety to the panel.<\/p>\n
\nA Superior Motorcycle<\/h2>\n<\/a>Brough Superior<\/figcaption><\/figure>\nThis image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\nA Windy Day<\/h2>\n<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>A nice coloured motorcycle, with what I think is good panning. \u00a0This image nicely balance the Pitts special, both moving in to the panel.<\/p>\n
\n
Moored boat<\/h2>\n<\/a>Moored Boat<\/figcaption><\/figure>\nYou can’t go wrong with images of wooden boats – either they are characterful wrecks, or colourful and attention-grabbing like this one. \u00a0I got my feet wet getting the shot, but it was worth it!<\/p>\n
\nArt Nude<\/h2>\n<\/a>Art Nude<\/figcaption><\/figure>\nI’ve always liked monochrome images – sometimes colour can detract. \u00a0I love the subtle tone in this image. \u00a0Another point of the image was to add a little variety to the panel.<\/p>\n
\nA Superior Motorcycle<\/h2>\n<\/a>Brough Superior<\/figcaption><\/figure>\nThis image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\nA Windy Day<\/h2>\n<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>You can’t go wrong with images of wooden boats – either they are characterful wrecks, or colourful and attention-grabbing like this one. \u00a0I got my feet wet getting the shot, but it was worth it!<\/p>\n
\n
Art Nude<\/h2>\n<\/a>Art Nude<\/figcaption><\/figure>\nI’ve always liked monochrome images – sometimes colour can detract. \u00a0I love the subtle tone in this image. \u00a0Another point of the image was to add a little variety to the panel.<\/p>\n
\nA Superior Motorcycle<\/h2>\n<\/a>Brough Superior<\/figcaption><\/figure>\nThis image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\nA Windy Day<\/h2>\n<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>I’ve always liked monochrome images – sometimes colour can detract. \u00a0I love the subtle tone in this image. \u00a0Another point of the image was to add a little variety to the panel.<\/p>\n
\n
A Superior Motorcycle<\/h2>\n<\/a>Brough Superior<\/figcaption><\/figure>\nThis image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\nA Windy Day<\/h2>\n<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>This image is a pair with the Art Nude study. \u00a0Where the Art Nude has nice subtle tones, this image is much harder. \u00a0The two are linked by the ‘V’ shapes seen in both – this image was actually the inspiration for the model’s pose in the Art Nude.<\/p>\n
\n
A Windy Day<\/h2>\n<\/a>A Windy Day<\/figcaption><\/figure>\nThis is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
\nComing soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
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I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>
<\/a>This is earliest image in the panel – it was something I’ve wanted to have a go at for some time. \u00a0Getting the blur on the turbine blades required some ND filters – happily the people in the image were walking slowly, and directly away from the camera, so they aren’t noticeably blurred. \u00a0I wanted to\u00a0contrast \/ compare this image with the prop blur on the Pitts Special.<\/p>\n
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Coming soon…<\/h2>\n
Well, not very soon at all really. \u00a0I’m starting to think seriously about the ARPS distinction. \u00a0I’ve got the inspiration, all I need is some decent snaps! \u00a0Watch this space.<\/p>\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"
I was awarded the LRPS distinction (Licentiate of the Royal Photographic Society) in 2015. There are a few ways of achieving this award, but the most common is to submit a ‘panel’ of 10 prints. The panel must be arranged (hung) in a pleasing way – in effect this arrangement is an 11th picture. I … Continue reading LRPS<\/span>